Uzupis Jewish cemetery before destruction
_________________________________________________________________________________________________________________________________________________ "It is not in the heavens, that you should say, "Who among us can go up to the heavens and get it for us and impart it to us, that we may observe it?" (...) No, the thing is very close to you, in your mouth and in your heart, to observe it". Deuteronomy
11 de julho de 2017
10 de julho de 2017
9 de julho de 2017
8 de julho de 2017
6 de julho de 2017
Leonard Cohen
"On the Level"
"I knew that it was wrong
I didn't have a doubt
I was dying to get back home
And you were starting out
I said I'd best be moving on
You said, we have all day
You smiled at me like I was young
It took my breath away
Your crazy fragrance all around
Your secrets all in view
My lost, my lost was saying found
My don't was saying do
Let's keep it on the level
When I walked away from you
I turned my back on the devil
Turned my back on the angel too
They oughta give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too
Now I'm living in this temple
Where they tell you what to do
I'm old and I've had to settle
On a different point of view
I was fighting with temptation
But I didn't want to win
A man like me don't like to see
Temptation caving in
Your crazy fragrance all around
Your secrets in my view
My lost, my lost was saying found
My don't was saying do
Let's keep it on the level
When I walked away from you
I turned my back on the devil
Turned my back on the angel too
They ought to give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too
They ought to give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too"
I didn't have a doubt
I was dying to get back home
And you were starting out
I said I'd best be moving on
You said, we have all day
You smiled at me like I was young
It took my breath away
Your crazy fragrance all around
Your secrets all in view
My lost, my lost was saying found
My don't was saying do
Let's keep it on the level
When I walked away from you
I turned my back on the devil
Turned my back on the angel too
They oughta give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too
Now I'm living in this temple
Where they tell you what to do
I'm old and I've had to settle
On a different point of view
I was fighting with temptation
But I didn't want to win
A man like me don't like to see
Temptation caving in
Your crazy fragrance all around
Your secrets in my view
My lost, my lost was saying found
My don't was saying do
Let's keep it on the level
When I walked away from you
I turned my back on the devil
Turned my back on the angel too
They ought to give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too
They ought to give my heart a medal
For letting go of you
When I turned my back on the devil
Turned my back on the angel too"
5 de julho de 2017
Morte
Burial Plaque, Marble, Italy (4th-5th century CE)
3 de julho de 2017
Bob Dylan
"As I Went Out One Morning"
"As I went out one morning
To breathe the air around Tom Paine's
I spied the fairest damsel
That ever did walk in chains
I offer'd her my hand
She took me by the arm
I knew that very instant
She meant to do me harm.
"Depart from me this moment"
I told her with my voice
Said she, "But I don't wish to"
Said I, "But you have no choice"
"I beg you, sir", she pleaded
From the corners of her mouth
"I will secretly accept you
And together we'll fly south".
Just then Tom Paine, himself
Came running from across the field
Shouting at this lovely girl
And commanding her to yield
And as she was letting go her grip
Up Tom Paine did run
"I'm sorry, sir", he said to me
"I'm sorry for what she'd done"
To breathe the air around Tom Paine's
I spied the fairest damsel
That ever did walk in chains
I offer'd her my hand
She took me by the arm
I knew that very instant
She meant to do me harm.
"Depart from me this moment"
I told her with my voice
Said she, "But I don't wish to"
Said I, "But you have no choice"
"I beg you, sir", she pleaded
From the corners of her mouth
"I will secretly accept you
And together we'll fly south".
Just then Tom Paine, himself
Came running from across the field
Shouting at this lovely girl
And commanding her to yield
And as she was letting go her grip
Up Tom Paine did run
"I'm sorry, sir", he said to me
"I'm sorry for what she'd done"
2 de julho de 2017
1 de julho de 2017
29 de junho de 2017
Leonard Cohen
"Chelsea Hotel No. 2"
"I remember you well in the Chelsea Hotel,
you were talking so brave and so sweet,
giving me head on the unmade bed,
while the limousines wait in the street.
Those were the reasons and that was New York,
we were running for the money and the flesh.
And that was called love for the workers in song
probably still is for those of them left.
you were talking so brave and so sweet,
giving me head on the unmade bed,
while the limousines wait in the street.
Those were the reasons and that was New York,
we were running for the money and the flesh.
And that was called love for the workers in song
probably still is for those of them left.
Ah but you got away, didn't you babe,
you just threw it all to the ground
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me once again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music."
Ah but you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I don't mean to suggest that I loved you the best,
I don't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, my little darling, I don't even think of you that often"
you just threw it all to the ground
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me once again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music."
Ah but you got away, didn't you babe,
you just turned your back on the crowd,
you got away, I never once heard you say,
I need you, I don't need you,
I need you, I don't need you
and all of that jiving around.
I don't mean to suggest that I loved you the best,
I don't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, my little darling, I don't even think of you that often"
28 de junho de 2017
27 de junho de 2017
26 de junho de 2017
Bob Dylan
"The Ballad of Frankie Lee and Judas Priest", Bob Dylan
"Well, Frankie Lee and Judas Priest
They were the best of friends
So when Frankie Lee needed more money one day
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain
Sayin', "Take your pick, Frankie Boy
My loss will be your gain".
Well, Frankie Lee, he sat right down
And put his fingers to his chin
But with the cold eyes of Judas on him
His head began to spin
"Would ya please not stare at me like that", he said
"It's just my foolish pride
But sometimes a man must be alone
And this is no place to hide".
Well, Judas he just winked and said
"All right, I'll leave you here
But you'd better hurry up and choose
Which of those bills you want
Before they all disappear"
"I'm gonna start my pickin' right now
Just tell me where you''ll be".
Judas pointed down the road
And said, "Eternity"
"Eternity ?" said Frankie Lee
With a voice as cold as ice
"That's right", said Judas Priest, "Eternity
Though you might call it Paradise"
"I don't call it anything"
Said Frankie Lee with a smile
"All right", said Judas Priest
"I'll see you after a while".
Well, Frankie Lee, he sat back down
Feelin' low and mean
When just then a passing stranger
Burst upon the scene
Saying, "Are you Frankie Lee, the gambler
Whose father is deceased ?
Well, if you are
There's a fellow callin' you down the road
And they say his name is Priest".
"Oh yes, he is my friend"
Said Frankie Lee in fright
"I do recall him very well
In fact, he just left my sight"
Yes, that's the one", said the stranger
As quiet as a mouse.
"Well, my message is, he's down the road
Stranded in a house".
Well, Frankie Lee he panicked
He dropped ev'rythimg and ran
Until he came up to the spot
Where Judas Priest did stand
"What kind of a house is this", he said
"Where I have come to roam ?"
"It's not a house", said Judas Priest
"It's not a house, it's a home".
Well, Frankie Lee he trembled
He soon lost all control
Over ev'rything which he had made
While the mission bells did toll
He just stood there starring
At that big house as bright as any sun
With four and twenty windows
And a woman's face in ev'ry one.
Well, up the stairs ran Frankie Lee
With a soulful bounding leap
And foaming at the mouth
He began to make his midnight creep
For sixteen nights and days he raved
But on the seventeenth he burst
Into the arms of Judas Priest
Which is where he died of thirst.
No one tried to say a thing
When they carried him out in jest
Except of course, the little neighbor boy
Who carried him to rest
And he just walked along alone
Whit his guilt so well concealed
And muttered underneath his breath
"Nothing is revealed".
Well, the moral of the story
The moral of this song
Is simply that one should never be
Where ones does not belong
So when you see your neighbor carryin' somethin'
Help him with his load
And don't go mistaking Paradise
For that home across the road"
They were the best of friends
So when Frankie Lee needed more money one day
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain
Sayin', "Take your pick, Frankie Boy
My loss will be your gain".
Well, Frankie Lee, he sat right down
And put his fingers to his chin
But with the cold eyes of Judas on him
His head began to spin
"Would ya please not stare at me like that", he said
"It's just my foolish pride
But sometimes a man must be alone
And this is no place to hide".
Well, Judas he just winked and said
"All right, I'll leave you here
But you'd better hurry up and choose
Which of those bills you want
Before they all disappear"
"I'm gonna start my pickin' right now
Just tell me where you''ll be".
Judas pointed down the road
And said, "Eternity"
"Eternity ?" said Frankie Lee
With a voice as cold as ice
"That's right", said Judas Priest, "Eternity
Though you might call it Paradise"
"I don't call it anything"
Said Frankie Lee with a smile
"All right", said Judas Priest
"I'll see you after a while".
Well, Frankie Lee, he sat back down
Feelin' low and mean
When just then a passing stranger
Burst upon the scene
Saying, "Are you Frankie Lee, the gambler
Whose father is deceased ?
Well, if you are
There's a fellow callin' you down the road
And they say his name is Priest".
"Oh yes, he is my friend"
Said Frankie Lee in fright
"I do recall him very well
In fact, he just left my sight"
Yes, that's the one", said the stranger
As quiet as a mouse.
"Well, my message is, he's down the road
Stranded in a house".
Well, Frankie Lee he panicked
He dropped ev'rythimg and ran
Until he came up to the spot
Where Judas Priest did stand
"What kind of a house is this", he said
"Where I have come to roam ?"
"It's not a house", said Judas Priest
"It's not a house, it's a home".
Well, Frankie Lee he trembled
He soon lost all control
Over ev'rything which he had made
While the mission bells did toll
He just stood there starring
At that big house as bright as any sun
With four and twenty windows
And a woman's face in ev'ry one.
Well, up the stairs ran Frankie Lee
With a soulful bounding leap
And foaming at the mouth
He began to make his midnight creep
For sixteen nights and days he raved
But on the seventeenth he burst
Into the arms of Judas Priest
Which is where he died of thirst.
No one tried to say a thing
When they carried him out in jest
Except of course, the little neighbor boy
Who carried him to rest
And he just walked along alone
Whit his guilt so well concealed
And muttered underneath his breath
"Nothing is revealed".
Well, the moral of the story
The moral of this song
Is simply that one should never be
Where ones does not belong
So when you see your neighbor carryin' somethin'
Help him with his load
And don't go mistaking Paradise
For that home across the road"
25 de junho de 2017
24 de junho de 2017
22 de junho de 2017
21 de junho de 2017
Jonathan Richman
"Pablo Picasso", Modern Lovers
"Well some people try to pick up girls
And get called assholes
This never happened to Pablo Picasso
He could walk down your street
And girls could not resist his stare and
So Pablo Picasso was never called an asshole
Well the girls would turn the color
Of the avocado when he would drive
Down their street in his El Dorado
He could walk down your street
And girls could not resist his stare
Pablo Picasso never got called an asshole
Not like you
Alright
Well he was only 5'3"
But girls could not resist his stare
Pablo Picasso never got called an asshole
Not in New York
Oh well be not schmuck, be not obnoxious
Be not bellbottom bummer or asshole
Remember the story of Pablo Picasso
He could walk down your street
And girls could not resist his stare
Pablo Picasso was never called an asshole
Alright this is it
Some people try to pick up girls
And they get called an asshole
This never happened to Pablo Picasso
He could walk down your street
And girls could not resist his stare and so
Pablo Picasso was never called..."
And get called assholes
This never happened to Pablo Picasso
He could walk down your street
And girls could not resist his stare and
So Pablo Picasso was never called an asshole
Well the girls would turn the color
Of the avocado when he would drive
Down their street in his El Dorado
He could walk down your street
And girls could not resist his stare
Pablo Picasso never got called an asshole
Not like you
Alright
Well he was only 5'3"
But girls could not resist his stare
Pablo Picasso never got called an asshole
Not in New York
Oh well be not schmuck, be not obnoxious
Be not bellbottom bummer or asshole
Remember the story of Pablo Picasso
He could walk down your street
And girls could not resist his stare
Pablo Picasso was never called an asshole
Alright this is it
Some people try to pick up girls
And they get called an asshole
This never happened to Pablo Picasso
He could walk down your street
And girls could not resist his stare and so
Pablo Picasso was never called..."
Amuletos
Two Hamsas, a Star of David and the turquoise color protect a Jewish house in the Nahla’ot Neighborhood, Jerusalem
20 de junho de 2017
19 de junho de 2017
18 de junho de 2017
17 de junho de 2017
The sum and substance of the whole of historical Judaism, its handbook and memorial tablet, will ever be the Prayer Book... He to whom these volumes are not a sealed book has more than grasped the "essence of Judaism." He is informed with it as with life itself; he has within him a "Jewish World."
Nahum Glatzer, Franz Rosenzweig: His Life and Thought, 1953, p.251
Lorde
"Perfect Places"
"Every night, I live and die
Feel the party to my bones
Watch the wasters blow the speakers
Spill my guts beneath the outdoor light
It's just another graceless night
I hate the headlines and the weather
I'm 19 and I'm on fire
But when we're dancing I'm alright
It's just another graceless night
Are you lost enough?
Have another drink, get lost in us
This is how we get notorious, oh
'Cause I don't know
If they keep tellin' you where to go
I'll blow my brains out to the radio, oh
All of the things we're taking
'Cause we are young and we're ashamed
Sends us to perfect places
All of our heroes fading
Now I can't stand to be alone
Let's go to perfect places
Every night, I live and die
Meet somebody, take 'em home
Let's kiss and then take off our clothes
It's just another graceless night
'Cause all of the things we're taking
'Cause we are young and we're ashamed
Sends us to perfect places
All of our heroes fading
Now I can't stand to be alone
Let's go to perfect places
All the nights spent off our faces
Trying to find these perfect places
What the fuck are perfect places anyway?
All the nights spent off our faces
Trying to find these perfect places
What the fuck are perfect places anyway?
All the nights spent off our faces
Trying to find these perfect places
What the fuck are perfect places anyway?"
15 de junho de 2017
14 de junho de 2017
13 de junho de 2017
12 de junho de 2017
Jonathan Richman
"Roadrunner", The Modern Lovers (1972)
"One-two-three-four-five-six!
Roadrunner, roadrunner
Going faster miles an hour
Gonna drive past the Stop 'n' Shop
With the radio on
I'm in love with Massachusetts
And the neon when it's cold outside
And the highway when it's late at night
Got the radio on
I'm like the roadrunner
Roadrunner, roadrunner
Going faster miles an hour
Gonna drive past the Stop 'n' Shop
With the radio on
I'm in love with Massachusetts
And the neon when it's cold outside
And the highway when it's late at night
Got the radio on
I'm like the roadrunner
Alright
I'm in love with modern moonlight
128 when it's dark outside
I'm in love with Massachusetts
I'm in love with the radio on
It helps me from being alone late at night
Helps me from being lonely late at night
I don't feel so bad now in the car
Don't feel so alone, got the radio on
Like the roadrunner
That's right
I'm in love with modern moonlight
128 when it's dark outside
I'm in love with Massachusetts
I'm in love with the radio on
It helps me from being alone late at night
Helps me from being lonely late at night
I don't feel so bad now in the car
Don't feel so alone, got the radio on
Like the roadrunner
That's right
Said welcome to the spirit of 1956
Patient in the bushes next to '57
The highway is your girlfriend as you go by quick
Suburban trees, suburban speed
And it smells like heaven, I say
Roadrunner once
Roadrunner twice
I'm in love with rock & roll and I'll be out all night
Roadrunner
That's right
Patient in the bushes next to '57
The highway is your girlfriend as you go by quick
Suburban trees, suburban speed
And it smells like heaven, I say
Roadrunner once
Roadrunner twice
I'm in love with rock & roll and I'll be out all night
Roadrunner
That's right
Well now
Roadrunner, roadrunner
Going faster miles an hour
Gonna drive to the Stop 'n' Shop
With the radio on at night
And me in love with modern moonlight
Me in love with modern rock & roll
Modern girls and modern rock & roll
Don't feel so alone, got the radio on
Like the roadrunner
O.K. now you sing Modern Lovers
Roadrunner, roadrunner
Going faster miles an hour
Gonna drive to the Stop 'n' Shop
With the radio on at night
And me in love with modern moonlight
Me in love with modern rock & roll
Modern girls and modern rock & roll
Don't feel so alone, got the radio on
Like the roadrunner
O.K. now you sing Modern Lovers
(Radio On!)
I got the AM
(Radio On!)
Got the car, got the AM
(Radio On!)
Got the AM sound, got the
(Radio On!)
Got the rockin' modern neon sound
(Radio On!)
I got the car from Ma**achusetts, got the
(Radio On!)
I got the power of Ma**achusetts when it's late at night
(Radio On!)
I got the modern sounds of modern Ma**achusetts
I've got the world, got the turnpike, got the
I've got the, got the power of the AM
Got the, late at night, hit 'em wide, rock & roll late at night
The factories and the auto signs got the power of modern sounds
Alright
I got the AM
(Radio On!)
Got the car, got the AM
(Radio On!)
Got the AM sound, got the
(Radio On!)
Got the rockin' modern neon sound
(Radio On!)
I got the car from Ma**achusetts, got the
(Radio On!)
I got the power of Ma**achusetts when it's late at night
(Radio On!)
I got the modern sounds of modern Ma**achusetts
I've got the world, got the turnpike, got the
I've got the, got the power of the AM
Got the, late at night, hit 'em wide, rock & roll late at night
The factories and the auto signs got the power of modern sounds
Alright
Right, bye bye!"
11 de junho de 2017
10 de junho de 2017
8 de junho de 2017
7 de junho de 2017
6 de junho de 2017
5 de junho de 2017
4 de junho de 2017
Leonard Cohen
"Treaty"
"I've seen you change the water into wine
I've seen you change it back to water, too
I sit at your table every night
I try but I just don't get high with you
I wish there was a treaty we could sign
I do not care who takes this bloody hill
I'm angry and I'm tired all the time
I wish there was a treaty, I wish there was a treaty
Between your love and mine
Ah, they're dancing in the street — it's Jubilee
We sold ourselves for love but now we're free
I'm so sorry for that ghost I made you be
Only one of us was real and that was me
I haven't said a word since you been gone
That any liar couldn't say as well
I just can't believe the static coming on
You were my ground, my safe and sound
You were my aerial
Ah, the fields are crying out — it's Jubilee
We sold ourselves for love but now we're free
I'm so sorry for that ghost I made you be
Only one of us was real and that was me
I heard the snake was baffled by his sin
He shed his scales to find the snake within
But born again is born without a skin
The poison enters into everything
And I wish there was a treaty we could sign
I do not care who takes this bloody hill
I'm angry and I'm tired all the time
I wish there was a treaty, I wish there was a treaty
Between your love and mine"
I've seen you change it back to water, too
I sit at your table every night
I try but I just don't get high with you
I wish there was a treaty we could sign
I do not care who takes this bloody hill
I'm angry and I'm tired all the time
I wish there was a treaty, I wish there was a treaty
Between your love and mine
Ah, they're dancing in the street — it's Jubilee
We sold ourselves for love but now we're free
I'm so sorry for that ghost I made you be
Only one of us was real and that was me
I haven't said a word since you been gone
That any liar couldn't say as well
I just can't believe the static coming on
You were my ground, my safe and sound
You were my aerial
Ah, the fields are crying out — it's Jubilee
We sold ourselves for love but now we're free
I'm so sorry for that ghost I made you be
Only one of us was real and that was me
I heard the snake was baffled by his sin
He shed his scales to find the snake within
But born again is born without a skin
The poison enters into everything
And I wish there was a treaty we could sign
I do not care who takes this bloody hill
I'm angry and I'm tired all the time
I wish there was a treaty, I wish there was a treaty
Between your love and mine"
3 de junho de 2017
On one of his journeys, Shmuel Hanagid passed by his brother’s burial-place. There he paused and addressed him as follows:
Is there a sea between me and you, that I should not turn aside to be
with you, that I should not run with a troubled heart to sit at your
grave-side? Truly, if I did not do so, I would be a traitor to our
brotherly love. O my brother, here I am, facing you, sitting by your
grave, and the grief in my heart is as great as on the day you died. If I
greeted you, I would hear no reply. You do not come out to meet me when
I visit your grounds. You will not laugh in my company, nor I in yours.
You cannot see my face, nor I yours, for the pit is your home, the
grave your dwelling-place! First-born of my father, son of my mother,
may you have peace in your final rest, and may the spirit of God rest
upon your spirit and your soul! I am returning to my own soil, for you
have been locked under the soil. Sometimes I shall sleep, sometimes
wake—while you lie in your sleep forever. But until my last day, the
fire of your loss will remain in my heart!
"Lament for His Brother", Shmuel Hanagid
1 de junho de 2017
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