"Maoz Tzur", Cantor Moshe Oysher
_________________________________________________________________________________________________________________________________________________ "It is not in the heavens, that you should say, "Who among us can go up to the heavens and get it for us and impart it to us, that we may observe it?" (...) No, the thing is very close to you, in your mouth and in your heart, to observe it". Deuteronomy
29 de dezembro de 2016
27 de dezembro de 2016
Bob Dylan
"Lonesome Death of Hattie Carroll" (1965)
"William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath'rin'
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree murder
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
William Zanzinger who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland
Reacted to his deed with a shrug of his shoulders
And swear words and sneering and his tongue it was snarling
In a matter of minutes on bail was out walking
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
Hattie Carroll was a maid of the kitchen
She was fifty-one years old and gave birth to ten children
Who cleaned the dishes and took out the garbage
And never sat once at the head of the table
Who didn't even speak to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room
Doomed and determined to destroy all the gentle
And she never done nothing to William Zanzinger
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that ladder of law has no top and no bottom
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'
And he spoke through his cloak, most deep and distinguished
And handed out strongly, for penalty and repentance
William Zanzinger with a six-month sentence
And you who philosophize disgrace and criticize all fears
Bury the rag most deep in your face
For now's the time for your tears"
25 de dezembro de 2016
21 de dezembro de 2016
20 de dezembro de 2016
Macabeus
2,000-year-old coin from Maccabean revolt found in Jerusalem.
Bronze prutah bears image of King Antiochus IV, who declared death sentence on Jews
19 de dezembro de 2016
18 de dezembro de 2016
Bob Dylan
"Hurricane" (1975)
"Pistol shots ring out in the barroom night
Enter Patty Valentine from the upper hall.
She sees the bartender in a pool of blood,
Cries out, "My God, they killed them all!"
Here comes the story of the Hurricane,
The man the authorities came to blame
For somethin' that he never done.
Put in a prison cell, but one time he could-a been
The champion of the world.
Three bodies lyin' there does Patty see
And another man named Bello, movin' around mysteriously.
"I didn't do it," he says, and he throws up his hands
"I was only robbin' the register, I hope you understand.
I saw them leavin'," he says, and he stops
"One of us had better call up the cops."
And so Patty calls the cops
And they arrive on the scene with their red lights flashin'
In the hot New Jersey night.
Meanwhile, far away in another part of town
Rubin Carter and a couple of friends are drivin' around.
Number one contender for the middleweight crown
Had no idea what kinda shit was about to go down
When a cop pulled him over to the side of the road
Just like the time before and the time before that.
In Paterson that's just the way things go.
If you're black you might as well not show up on the street
'Less you want to draw the heat.
Alfred Bello had a partner and he had a rap for the cops.
Him and Arthur Dexter Bradley were just out prowlin' around
He said, "I saw two men runnin' out, they looked like middleweights
They jumped into a white car with out-of-state plates."
And Miss Patty Valentine just nodded her head.
Cop said, "Wait a minute, boys, this one's not dead"
So they took him to the infirmary
And though this man could hardly see
They told him that he could identify the guilty men.
Four in the mornin' and they haul Rubin in,
Take him to the hospital and they bring him upstairs.
The wounded man looks up through his one dyin' eye
Says, "Wha'd you bring him in here for? He ain't the guy!"
Yes, here's the story of the Hurricane,
The man the authorities came to blame
For somethin' that he never done.
Put in a prison cell, but one time he could-a been
The champion of the world.
Four months later, the ghettos are in flame,
Rubin's in South America, fightin' for his name
While Arthur Dexter Bradley's still in the robbery game
And the cops are puttin' the screws to him, lookin' for somebody to blame.
"Remember that murder that happened in a bar?"
"Remember you said you saw the getaway car?"
"You think you'd like to play ball with the law?"
"Think it might-a been that fighter that you saw runnin' that night?"
"Don't forget that you are white."
Arthur Dexter Bradley said, "I'm really not sure."
Cops said, "A poor boy like you could use a break
We got you for the motel job and we're talkin' to your friend Bello
Now you don't wanta have to go back to jail, be a nice fellow.
You'll be doin' society a favor.
That sonofabitch is brave and gettin' braver.
We want to put his ass in stir
We want to pin this triple murder on him
He ain't no Gentleman Jim."
Rubin could take a man out with just one punch
But he never did like to talk about it all that much.
It's my work, he'd say, and I do it for pay
And when it's over I'd just as soon go on my way
Up to some paradise
Where the trout streams flow and the air is nice
And ride a horse along a trail.
But then they took him to the jailhouse
Where they trialed a man into a mouse.
All of Rubin's cards were marked in advance
The trial was a pig-circus, he never had a chance.
The judge made Rubin's witnesses drunkards from the slums
To the white folks who watched he was a revolutionary bum
And to the black folks he was just a crazy nigger.
No one doubted that he pulled the trigger.
And though they could not produce the gun,
The D.A. said he was the one who did the deed
And the all-white jury agreed.
Rubin Carter was falsely tried.
The crime was murder "one," guess who testified?
Bello and Bradley and they both baldly lied
And the newspapers, they all went along for the ride.
How can the life of such a man
Be in the palm of some fool's hand?
To see him obviously framed
Couldn't help but make me feel ashamed to live in a land
Where justice is a game.
Now all the criminals in their coats and their ties
Are free to drink martinis and watch the sun rise
While Rubin sits like Buddha in a ten-foot cell
An innocent man in a living hell.
That's the story of the Hurricane,
But it won't be over till they clear his name
And give him back the time he's done.
Put in a prison cell, but one time he could-a been
The champion of the world"
Enter Patty Valentine from the upper hall.
She sees the bartender in a pool of blood,
Cries out, "My God, they killed them all!"
Here comes the story of the Hurricane,
The man the authorities came to blame
For somethin' that he never done.
Put in a prison cell, but one time he could-a been
The champion of the world.
Three bodies lyin' there does Patty see
And another man named Bello, movin' around mysteriously.
"I didn't do it," he says, and he throws up his hands
"I was only robbin' the register, I hope you understand.
I saw them leavin'," he says, and he stops
"One of us had better call up the cops."
And so Patty calls the cops
And they arrive on the scene with their red lights flashin'
In the hot New Jersey night.
Meanwhile, far away in another part of town
Rubin Carter and a couple of friends are drivin' around.
Number one contender for the middleweight crown
Had no idea what kinda shit was about to go down
When a cop pulled him over to the side of the road
Just like the time before and the time before that.
In Paterson that's just the way things go.
If you're black you might as well not show up on the street
'Less you want to draw the heat.
Alfred Bello had a partner and he had a rap for the cops.
Him and Arthur Dexter Bradley were just out prowlin' around
He said, "I saw two men runnin' out, they looked like middleweights
They jumped into a white car with out-of-state plates."
And Miss Patty Valentine just nodded her head.
Cop said, "Wait a minute, boys, this one's not dead"
So they took him to the infirmary
And though this man could hardly see
They told him that he could identify the guilty men.
Four in the mornin' and they haul Rubin in,
Take him to the hospital and they bring him upstairs.
The wounded man looks up through his one dyin' eye
Says, "Wha'd you bring him in here for? He ain't the guy!"
Yes, here's the story of the Hurricane,
The man the authorities came to blame
For somethin' that he never done.
Put in a prison cell, but one time he could-a been
The champion of the world.
Four months later, the ghettos are in flame,
Rubin's in South America, fightin' for his name
While Arthur Dexter Bradley's still in the robbery game
And the cops are puttin' the screws to him, lookin' for somebody to blame.
"Remember that murder that happened in a bar?"
"Remember you said you saw the getaway car?"
"You think you'd like to play ball with the law?"
"Think it might-a been that fighter that you saw runnin' that night?"
"Don't forget that you are white."
Arthur Dexter Bradley said, "I'm really not sure."
Cops said, "A poor boy like you could use a break
We got you for the motel job and we're talkin' to your friend Bello
Now you don't wanta have to go back to jail, be a nice fellow.
You'll be doin' society a favor.
That sonofabitch is brave and gettin' braver.
We want to put his ass in stir
We want to pin this triple murder on him
He ain't no Gentleman Jim."
Rubin could take a man out with just one punch
But he never did like to talk about it all that much.
It's my work, he'd say, and I do it for pay
And when it's over I'd just as soon go on my way
Up to some paradise
Where the trout streams flow and the air is nice
And ride a horse along a trail.
But then they took him to the jailhouse
Where they trialed a man into a mouse.
All of Rubin's cards were marked in advance
The trial was a pig-circus, he never had a chance.
The judge made Rubin's witnesses drunkards from the slums
To the white folks who watched he was a revolutionary bum
And to the black folks he was just a crazy nigger.
No one doubted that he pulled the trigger.
And though they could not produce the gun,
The D.A. said he was the one who did the deed
And the all-white jury agreed.
Rubin Carter was falsely tried.
The crime was murder "one," guess who testified?
Bello and Bradley and they both baldly lied
And the newspapers, they all went along for the ride.
How can the life of such a man
Be in the palm of some fool's hand?
To see him obviously framed
Couldn't help but make me feel ashamed to live in a land
Where justice is a game.
Now all the criminals in their coats and their ties
Are free to drink martinis and watch the sun rise
While Rubin sits like Buddha in a ten-foot cell
An innocent man in a living hell.
That's the story of the Hurricane,
But it won't be over till they clear his name
And give him back the time he's done.
Put in a prison cell, but one time he could-a been
The champion of the world"
17 de dezembro de 2016
15 de dezembro de 2016
14 de dezembro de 2016
Bob Dylan
"Death of Emmett Till" (1962)
’Twas down in Mississippi not so long ago
When a young boy from Chicago town stepped through a Southern door
This boy’s dreadful tragedy I can still remember well
The color of his skin was black and his name was Emmett Till
Some men they dragged him to a barn and there they beat him up
They said they had a reason, but I can’t remember what
They tortured him and did some things too evil to repeat
There were screaming sounds inside the barn, there was laughing sounds out on the street
Then they rolled his body down a gulf amidst a bloody red rain
And they threw him in the waters wide to cease his screaming pain
The reason that they killed him there, and I’m sure it ain’t no lie
Was just for the fun of killin’ him and to watch him slowly die
And then to stop the United States of yelling for a trial
Two brothers they confessed that they had killed poor Emmett Till
But on the jury there were men who helped the brothers commit this awful crime
And so this trial was a mockery, but nobody seemed to mind
I saw the morning papers but I could not bear to see
The smiling brothers walkin’ down the courthouse stairs
For the jury found them innocent and the brothers they went free
While Emmett’s body floats the foam of a Jim Crow southern sea
If you can’t speak out against this kind of thing, a crime that’s so unjust
Your eyes are filled with dead men’s dirt, your mind is filled with dust
Your arms and legs they must be in shackles and chains, and your blood it must refuse to flow
For you let this human race fall down so God-awful low!
This song is just a reminder to remind your fellow man
That this kind of thing still lives today in that ghost-robed Ku Klux Klan
But if all of us folks that thinks alike, if we gave all we could give
We could make this great land of ours a greater place to live"
13 de dezembro de 2016
12 de dezembro de 2016
11 de dezembro de 2016
10 de dezembro de 2016
8 de dezembro de 2016
7 de dezembro de 2016
6 de dezembro de 2016
5 de dezembro de 2016
Esnoga
"Bo beshalom" and "Kol haneshama (Halleluyah)" by Cristiano Giuseppe Lidarti
(1730- c. 1793), edited by Israel Adler.
This was a commission for the anniversary of the inauguration of the Portuguese Synagogue in Amsterdam (1675)
This was a commission for the anniversary of the inauguration of the Portuguese Synagogue in Amsterdam (1675)
4 de dezembro de 2016
1 de dezembro de 2016
Bob Dylan
"We live in a political world
Love don't have any place
We're living in times
Where men commit crimes
And crime don't have any face.
We live in a political world
Icicles hanging down
Wedding bells ring
And angels sing
Clouds cover up the ground.
We live in a political world
Wisdom is thrown in jail
It rots in a cell
Is misguided as hell
Leaving no one to pick up a trail.
We live in a political world
Where mercy walks the plank
Life is in mirrors
Death disappears
Up the steps into the nearest bank.
We live in a political world
Where courage is a thing of the past
Houses are haunted
Children unwanted
The next day could be your last.
We live in a political world
The one we can see and feel
But there's no one to check
It's all a stacked deck
We all know for sure that it's real.
We live in a political world
In the cities of lonesome fear
Little by little
You turn in the middle
But you're never sure why you're here.
We live in a political world
Under the microscope
You can travel anywhere
And hang yourself there
You always got more than enough rope.
We live in a political world
Turning and trashing about
As soon as you're awake
You're trained to take
What looks like the easy way out.
We live in a political world
Where peace is not welcome at all
It's turned away from the door
To wonder some more
Or put up against the wall.
We live in a political world
Everything is hers and his
Climb into the frame
And shout God's name
But you're never sure what it is"
Love don't have any place
We're living in times
Where men commit crimes
And crime don't have any face.
We live in a political world
Icicles hanging down
Wedding bells ring
And angels sing
Clouds cover up the ground.
We live in a political world
Wisdom is thrown in jail
It rots in a cell
Is misguided as hell
Leaving no one to pick up a trail.
We live in a political world
Where mercy walks the plank
Life is in mirrors
Death disappears
Up the steps into the nearest bank.
We live in a political world
Where courage is a thing of the past
Houses are haunted
Children unwanted
The next day could be your last.
We live in a political world
The one we can see and feel
But there's no one to check
It's all a stacked deck
We all know for sure that it's real.
We live in a political world
In the cities of lonesome fear
Little by little
You turn in the middle
But you're never sure why you're here.
We live in a political world
Under the microscope
You can travel anywhere
And hang yourself there
You always got more than enough rope.
We live in a political world
Turning and trashing about
As soon as you're awake
You're trained to take
What looks like the easy way out.
We live in a political world
Where peace is not welcome at all
It's turned away from the door
To wonder some more
Or put up against the wall.
We live in a political world
Everything is hers and his
Climb into the frame
And shout God's name
But you're never sure what it is"
30 de novembro de 2016
28 de novembro de 2016
27 de novembro de 2016
Vida
During the summer months, 20 million Mexican free-tailed bats arrive at Bracken Cave in San Antonio, Texas, to give birth and raise their young.
Each evening at dusk, the hungry mothers emerge into the night in a
vortex, circling out through the entrance and rising into the sky to
feed on insects.
26 de novembro de 2016
Bob Dylan
"To Fall In Love With You"
"A tear goes down my day is real
but your drying eye upon the shame
Each needs a road for me from you
what paradise? what can I do?
That die for my and the day is dark
I can’t believe for your touch
What I could find oh time is right
If I fell in love to fall in love
To fall in love with you
but your drying eye upon the shame
Each needs a road for me from you
what paradise? what can I do?
That die for my and the day is dark
I can’t believe for your touch
What I could find oh time is right
If I fell in love to fall in love
To fall in love with you
The day is dark, our time is right
day in the night deep in the night
I can’t yet be back I heard my- surprise
I see it in your lips I knew it in your eyes
Well I feel your love and I feel no shame
I can’t unleash your horde I call your name
What you’re to me what can I do?
To fall in love to fall in love
To fall in love with you
It just rolls upon the sand
ever this for now I’m made a man
can make you see what I can find
I know it in my days ah in my daily mind
Oh will ages roll will ages fly?
I hear your name where angels lie.
What do I know? for to come it’s true
To fall in love To fall in love
To fall in love with you
How can the doors trust on a nail?
how can I be surprised of most every day?
In the distant road I can’t be the same
I feel no love I feel no shame
I can’t watch the bay out on my own
we’ve a destined man I can attest it all
I didn’t I could find where I could go
To fall in love to fall in love
To fall in love with you"
day in the night deep in the night
I can’t yet be back I heard my- surprise
I see it in your lips I knew it in your eyes
Well I feel your love and I feel no shame
I can’t unleash your horde I call your name
What you’re to me what can I do?
To fall in love to fall in love
To fall in love with you
It just rolls upon the sand
ever this for now I’m made a man
can make you see what I can find
I know it in my days ah in my daily mind
Oh will ages roll will ages fly?
I hear your name where angels lie.
What do I know? for to come it’s true
To fall in love To fall in love
To fall in love with you
How can the doors trust on a nail?
how can I be surprised of most every day?
In the distant road I can’t be the same
I feel no love I feel no shame
I can’t watch the bay out on my own
we’ve a destined man I can attest it all
I didn’t I could find where I could go
To fall in love to fall in love
To fall in love with you"
24 de novembro de 2016
Leonard Cohen
"First We Take Manhattan"
"They sentenced me to twenty years of boredom
For trying to change the system from within
I'm coming now, I'm coming to reward them
First we take Manhattan, then we take Berlin
I'm guided by a signal in the heavens
I'm guided by this birthmark on my skin
I'm guided by the beauty of our weapons
First we take Manhattan, then we take Berlin
I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
Ah you loved me as a loser, but now you're worried that I just might win
You know the way to stop me, but you don't have the discipline
How many nights I prayed for this, to let my work begin
First we take Manhattan, then we take Berlin
I don't like your fashion business mister
And I don't like these drugs that keep you thin
I don't like what happened to my sister
First we take Manhattan, then we take Berlin
I'd really like to live beside you, baby ...
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
For trying to change the system from within
I'm coming now, I'm coming to reward them
First we take Manhattan, then we take Berlin
I'm guided by a signal in the heavens
I'm guided by this birthmark on my skin
I'm guided by the beauty of our weapons
First we take Manhattan, then we take Berlin
I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
Ah you loved me as a loser, but now you're worried that I just might win
You know the way to stop me, but you don't have the discipline
How many nights I prayed for this, to let my work begin
First we take Manhattan, then we take Berlin
I don't like your fashion business mister
And I don't like these drugs that keep you thin
I don't like what happened to my sister
First we take Manhattan, then we take Berlin
I'd really like to live beside you, baby ...
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
And I thank you for those items that you sent me
The monkey and the plywood violin
I practiced every night, now I'm ready
First we take Manhattan, then we take Berlin
I am guided
Ah remember me, I used to live for music
Remember me, I brought your groceries in
Well it's Father's Day and everybody's wounded
First we take Manhattan, then we take Berlin"
23 de novembro de 2016
Nacionalismo
"Nationalism and the Future of Western Freedom"(1/3)
"Nationalism and the Future of Western Freedom" (2/3)
"Nationalism and the Future of Western Freedom", Yoram Hazony (3/3)
22 de novembro de 2016
21 de novembro de 2016
20 de novembro de 2016
Leonard Cohen
"It Seemed the Better Way"
"It seemed the better way
When first I heard him speak
Now it's much too late
To turn the other cheek
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I wonder what it was
I wonder what it meant
First he touched on love
Then he touched on death
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I better hold my tongue
I better take my place
Lift this glass of blood
Try to say the grace
Seemed the better way
When first I heard him speak
But now it's much too late
To turn the other cheek
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I better hold my tongue
I better take my place
Lift this glass of blood
Try to say the grace"
When first I heard him speak
Now it's much too late
To turn the other cheek
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I wonder what it was
I wonder what it meant
First he touched on love
Then he touched on death
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I better hold my tongue
I better take my place
Lift this glass of blood
Try to say the grace
Seemed the better way
When first I heard him speak
But now it's much too late
To turn the other cheek
Sounded like the truth
Seemed the better way
Sounded like the truth
But it's not the truth today
I better hold my tongue
I better take my place
Lift this glass of blood
Try to say the grace"
19 de novembro de 2016
17 de novembro de 2016
16 de novembro de 2016
Leonard Cohen
"Dance Me to the End of Love"
"Dance me to your beauty with a burning violin
Dance me through the panic 'til I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love
Oh let me see your beauty when the witnesses are gone
Let me feel you moving like they do in Babylon
Show me slowly what I only know the limits of
Dance me to the end of love
Dance me to the end of love
Dance me to the wedding now, dance me on and on
Dance me very tenderly and dance me very long
We're both of us beneath our love, we're both of us above
Dance me to the end of love
Dance me to the end of love
Dance me to the children who are asking to be born
Dance me through the curtains that our kisses have outworn
Raise a tent of shelter now, though every thread is torn
Dance me to the end of love
Dance me to your beauty with a burning violin
Dance me through the panic till I'm gathered safely in
Touch me with your naked hand or touch me with your glove
Dance me to the end of love
Dance me to the end of love
Dance me to the end of love"
15 de novembro de 2016
Bob Dylan
"Visions of Johanna"
"Ain't it just like the night to play tricks when you're tryin' to be so quiet ?
We sit here stranded, though we're all doing our best to deny it
And Louise holds a handful of rain, tempting you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind
In the empty lot where the ladies play blindman's bluff with the key chain
And the all-night girls they whisper of escapades out on the D-train
We can hear the night watchman click his flashlight
Ask himself if it's him or them that's really insane
Louise she's all right she's just near
She's delicate and seems like the mirror
But she just makes it all too concise and too clear
That Johanna's not here
The ghost of electricity howls in the bones of her face
Where these visions of Johanna have now taken my place.
Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
Oh, how can I explain ?
It's so hard to get on
And these visions of Johanna they kept me up past the dawn.
Inside the museums, Infinity goes up on trial
Voices echo this is what salvation must be like after a while
But Mona Lisa musta had the highway blues
You can tell by the way she smiles
See the primitive wallflower frieze
When the jelly-faced women all sneeze
Hear the one with the mustache say, "Jeeze I can't find my knees."
Oh, jewels and binoculars hang from the head of the mule
But these visions of Johanna, they make it all seem so cruel.
The peddler now speaks to the countess who's pretending to care for him
Saying, "Name me someone that's not a parasite and I'll go out and say a prayer for him."
But like Louise always says
"Ya can't look at much, can ya man."
As she, herself prepares for him
And Madonna, she still has not showed
We see this empty cage now corrode
Where her cape of the stage once had flowed
The fiddler, he now steps to the road
He writes everything's been returned which was owed
On the back of the fish truck that loads
While my conscience explodes
The harmonicas play the skeleton keys and the rain
And these visions of Johanna are now all that remain"
14 de novembro de 2016
Leonard Cohen
"Steer Your Way"
"Steer your way past the ruins of the Altar and the Mall
Steer your way through the fables of Creation and The Fall
Steer your way past the Palaces that rise above the rot
Year by year, month by month, day by day
Thought by thought
Steer your heart past the Truth that you believed in yesterday
Such as Fundamental Goodness and the Wisdom of the Way
Steer your heart, precious heart, past the women whom you bought
Year by year, month by month, day by day
Thought by thought
Steer your way through the pain that is far more real than you
That's smashed the Cosmic Model, that blinded every view
And please don't make me go there, though there be a God or not
Year by year, month by month, day by day
Thought by thought
They whisper still, the injured stones
The blunted mountains weep
As he died to make men holy
Let us die to make things cheap
And say the Mea Culpa, which you probably forgot
Year by year, month by month, day by day
Thought by thought
Steer your way, O my heart, though I have no right to ask
To the one who was never, never equal to the task
Who knows he's been convicted, who knows he will be shot
Year by year, month by month, day by day
Thought by thought
They whisper still, the injured stones
The blunted mountains weep
As he died to make men holy
Let us die to make things cheap
And say the Mea Culpa, which you gradually forgot
Year by year, month by month, day by day
Thought by thought"
Noé
Hasidim (...) called Noah a tzaddik im peltz, "a righteous man in fur coat." There are two ways of keeping warm on a cold night. You can wear a fur coat or light a fire. Wear a fur coat and you warm only yourself. Light a a fire and you warm others.
Rabbi Jonathan Sacks
11 de novembro de 2016
10 de novembro de 2016
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